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My first piano, I was 8:
an old upright with a wooden frame that kept going out of tune. It had baroque wooden sculptures and chandeliers on it. It sounded big and haunting, and had crooked action.
My first 45:
‘Heart Of Glass’ by Blondie. I was 9.
My first album:
a weird 1979 compilation with mixed stuff from the 60s/70s on it. James Brown’s ‘Papa’s Got A Brand New Bag’ was on there.
My first synth:
Roland JX-3P, I was 14. It was quickly followed by a Roland SH-101 which I still use to this day.
My first piece of recording gear:
Fostex cassette 4-track (the little black one).
My first vintage keyboard:
a Stage 73 Fender-Rhodes, sold to me in a hurry by a guy who was moving to Australia and needed to get rid of it.
My first computer:
if you don’t count that Commodore 64 that my parents had bought for my brothers and I in the 80s, my first computer was a PC in 1998. A real crash party that taught me to save constantly. Before that computer, all I had been focusing on was playing those keys tight and right, and rocking the stage with the bands I’d joined. To me, the digital world was like Uranus: a distant land. It took a major label fiasco (the band I was in at the time: Vercoquin; the label: Island France) to convince me to take the jump. Computer = don’t need no-one else’s money to make a record = artistic freedom. GE was born in direct reaction to the fiasco.
My first GE track:
‘Badville.’ Didn’t make it to the album. You can get it on ‘Central Mixes.’
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Some albums I always end up going back to. It’s not a list of what I think are the greatest albums of all time (I don’t know what that means), it’s the records that make me tremble the most.